There is a really interesting thing about the presentacion in concerts of African American Music. When you usually goes to a concert there is like a host or a presenter that shows the inicial presentation of the concert the people and greet to the people. That role, or face, we could denominate too, is an important person but specific person. The presenter plays the role of an intersting person, but was too, and more in the 60s to 90s, a fancy, gorgeous, eloquent, articulate and significant person. If we think that, all that caractheristics aren't the usual for African American people back in the 60s.
So, if you look very well on the presentations of all the concerts in the 60s - 90s, you are going to see a white guy that plays the role of an "interesting" person (fancy, gorgeous, eloquent, articulate and significant) and that guy is the one who presents the African American musicians and artists. That could be a relationship of insubordination, naturalazing in a incouncious way the racism ideals.
A few years ago, almos all of the important roles were played by white guys. The presenter was a white face-role, meaning maestry and representating the ideals of appropiate. Back in time, the African American people were the artistic ones, but the fancy and adequate things were represented by white guys. Thing aboust almost of the guys with power in the music studios. Anyway, it was "better" to be that "white" guy than a "black" guy.
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